NoiseModelling is a free and open-source tool designed to produce environmental noise maps on very large urban areas. It can be used as a Java library or be controlled through a user friendly web interface.
NoiseModelling is closely paired with the spatial database H2GIS or PostGIS in order to handle a large amount of spatial features. In addition to the operational aspect, this tool is an excellent support for training, teaching and research.
To see more videos about NoiseModelling, please have a look to this dedicated playlist on our YouTube channel.
Action and spectacle This is the movie’s strongest card. The set pieces are audaciously staged: a devastating stealth attack on a U.S. military facility, a brutal ambush in the mountains, and an absurdly memorable sequence atop a nuclear test site. Chu and his stunt team favor kinetic camerawork and rapid edits, which amplify the chaos and make even modest moments feel volatile. Visual effects vary in polish but are generally serviceable in 2013 blockbuster terms. The editing style sometimes sacrifices spatial clarity, but it reinforces the film’s sensation-of-constant-motion aesthetic.
G.I. Joe: Retaliation arrives like a thunderclap: louder, bigger and more aggressively programmed for mass-audience thrills than its predecessor. Director Jon M. Chu trades the first film’s reverent, toybox attention to lore for an unrelenting, broad-shouldered action barrage. The result is a movie that favors momentum and set-piece bravado over coherence, but when it hits, it hits with a manic, ear-splitting glee. Action and spectacle This is the movie’s strongest card
(If you want, I can adapt this column to a specific word count, tone (critical, humorous, nostalgic), or publication format.) Chu and his stunt team favor kinetic camerawork
Cast and performances Dwayne Johnson’s presence recasts the film around a physically dominant, charismatic leader; he supplies much of the movie’s personality with a gravelly half-smirk and no-nonsense stoicism. Channing Tatum, relegated to a supporting role here, still brings physicality and likability but is given less to do. The supporting ensemble — including Bruce Willis in a cameo capacity — oscillates between serviceable and cartoonish. The villains lean into operatic menace, which matches the film’s pulp sensibility but rarely surprises. relegated to a supporting role here
| Name | Link | More |
|---|---|---|
| Probabilistic modeling framework for multisource sound mapping | See | Read |
| Dynamic approach for the study of the spatial impact of road traffic noise at peak hours | See | Watch |
| Sensitivity Analysis & data assimilation | See | Watch |
| Captation et Simulation d’Ambiances Urbaines Spatialisées | See |